Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

On February 17, 1913, after many years of R+D, Thomas Alva Edison introduced the Edison Kinetophone to an enthusiastic New York audience. The Kinetophone was a fairly complex mechanical means of creating talking pictures. Unlike previous systems, in which actors would be required to lip sync to preexisting recordings on camera, the Kinetophone was one of the earliest film technologies to record sound at the same time as the image. More than 200 of these Kinetophones were produced between 1913 and 1914, but only a handful of the films and their accompanying sound cylinders survive.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.