Joanelle Romero Discusses Native Indigenous Representation
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.

An experimental film that attempts a lyrical interpretation of the concepts of love and anxiety. The two concepts meet as two people, separated by a wire mesh. The separation is sought to be annulled from both sides. Sound and image express an abstract mood experience around the two concepts. The film experiments with polarizing colors. (DFI)
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!