The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.

The title deliberatly recalls the famous L'oro di Napoli (Napoli's Gold) by Vittorio De Sica (1954). Alike De Sica's film here Naples is the real protagonist: Naples and its dust, not its gold. Through five episodes expressing different aspects of Naples, we have a picture of the town that doesn't belong to the postcard stereotypes...
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.