Detective Nam-soon goes undercover with her partner Detective Ahn to investigate the counterfeit money. She discovers that one loyal henchman, Sad Eyes, a beautiful swordsman with a pale, blank face, is related to the truth. Nam-soon and Sad Eyes confront each other in a series of duels and become confused between love and obligation to duty.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
