A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

It's a warm November day in the early 1960s and Liz has just picked up the kids for her weekly carpool. Little does she know that this will be a drive she'll never forget.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Based on Bethany's autobiography "Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board," this heartwarming film tracks the struggle to pursue normalcy and ambition after a major injury.