Alphonse Brown, who firmly believes he is the bastard son of James Brown, meets up with his best friend Scotch after Brown gets out of jail. On their way to Paris to begin careers as recording artists, the pair stumbles across a potent type of marijuana that was engineered by the Nazis. Their decision to begin selling the stuff leads to a variety of people chasing after them.
Thomas Sorriaux, François Desagnat
Director
Michaël Youn
Alphonse Brown
Vincent Desagnat
Scotch
Zoé Félix
Dina
Kad Merad
Le directeur artistique de Pacific Recordings
Alex Descas
Shaft
Ginette Garcin
Madame Batin
Kool Shen
Lord Fatal
Lionel Abelanski
Perez / Le père de Perez
Maka Sidibe
Dave
Gad Elmaleh
Le spécialiste des Stups
Hans Meyer
Rudolf Maier
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.