The Door 

This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.

The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.

‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”

Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.

One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.

Love Hard is a Christmas romcom about two people who fall in love while pretending to date. It’s a romantic and fun watch. If you can forget the catfishing.