
In ordinary life, Raushan and Zharkyn would never have met: Raushan is an ambitious businesswoman, Zharkyn is a single father whose life takes place behind the grill of an inexpensive kebab shop. Fate brings them together in an organ transplant clinic. Raushan is diagnosed with kidney failure, and Zharkin, who has lost his job and needs money, is forced to become a donor for Raushan. Before the operation, they will have to undergo a course in order to normalize the overall indicators of the body. After a while, the characters get closer, but their goal remains the same — kidney transplantation. On the day of the operation, Zharkyn will face a difficult choice: a large sum that will ensure a carefree life for him and his daughter, or saving Raushan's life.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
A dynamic journey of self-acceptance and identity.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.