Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Distant Land poster

The Distant Land 

Vienna at the turn of the century: The industrialist Friedrich Hofreiter is a vain, self-important man who is used to taking what he wants and who enjoys exercising power. His tender wife Genia increasingly recognizes his deceitfulness. The Russian pianist Alexei Korsakov, a subtle artist, commits suicide because of her. Hofreiter, on the other hand, travels to the Dolomites with his friend and family doctor Dr. Mauer, who is in love with the young Erna. Hofreiter makes her his lover in front of Mauer's eyes. In turn, he provokes Genia's lover into a duel and shoots him. In the end, there is only emptiness. Faithful adaptation of Arthur Schnitzler's stage play.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Vienna at the turn of the century: The industrialist Friedrich Hofreiter is a vain, self-important man who is used to taking what he wants and who enjoys exercising power. His tender wife Genia increasingly recognizes his deceitfulness. The Russian pianist Alexei Korsakov, a subtle artist, commits suicide because of her. Hofreiter, on the other hand, travels to the Dolomites with his friend and family doctor Dr. Mauer, who is in love with the young Erna. Hofreiter makes her his lover in front of Mauer's eyes. In turn, he provokes Genia's lover into a duel and shoots him. In the end, there is only emptiness. Faithful adaptation of Arthur Schnitzler's stage play.

Rating:
Genre:History, Drama
Directed By:Luc Bondy
Written By:Lubor Dohnal, Luc Bondy, Botho Strauß
In Theaters:
Box Office:

Runtime:103 minutes
Studio:Almaro Film, Satel Film

Articles You May Like


"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood