What 'Magnolia' Says About Childhood Trauma
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.

O Descobrimento do Brasil (The Discovery of Brazil) is an impressive historical epic recreating Álvares Cabral’s voyage to the New World in 1500, with a score especially written by the renowned composer, Heitor Villa-Lobos. One of the earliest examples of Brazilian cinema, this film depicts the perilous journey of Pedro Álvares Cabral’s armada from Portugal to Brazil. Though somewhat rudimentary compared to other films of the period, The Discovery of Brazil distinguishes itself with its scenes of indigenous people and Portuguese explorers on the beach, and in the imaginative lighting on board the ship. But the real star is the beautiful cantata by Villa-Lobos that permeates the film.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.