Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

Dr. Robert Hart visits his friend Ursula von Hohenau in Saxony in July 1914. There he hears about the Austrian ultimatum to Serbia. He immediately returns to his home town where, just before mobilisation, he meets the Polish count Bransky and his daughter Jadwiga, the French Vicomte Latour and the Russian counsellor of embassy count Bronislaw Krascinsky. Bronislaw is madly in love with Jadwiga and jealous of Dr. Hart. After the outbreak of the war Dr. Hart works close to the Polish frontlines. Bronislaw leads the Russian troops in this area. When Bronislaw is wounded during a battle with the Germans Dr. Hart finds him and takes care of his wounds.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?