When streetwise Manhattan police detectives Rawlings (Howard Hesseman) and Brendan Thomas (Ed Marinaro) discover a major diamond heist is about to go down at a renowned gallery, they enlist one of their suspects, gallery employee Tara Holden (Brooke Shields). But an attempt to foil the robbery explodes with deadly consequences for Tara. Committed to break the case, Rawlings relentlessly pursues the clues through a twisted maze of deceit and danger that takes him to England, where he and Scotland Yard detecive Charlie Lawson expose the ultimate con and solve the crime.
Don Taylor
Director
Howard Hesseman
Det. Rollings
Brooke Shields
Tara Holden
Darren McGavin
Chief Walter Vadney
Dick O'Neill
Lt. Barnett
Tony Steedman
Chief Supt. Kellogg
Nicholas Pryor
Mr. Exeter
Twiggy
Det. Sgt. Charlie Lawson
Ed Marinaro
Det. Brendan Thomas
Howard George
Jerry Donohoe
Wensley Pithey
Basil
H.M. Wynant
Idrissi
So. You’ve been quarantined. For many of us in the midst of the coronavirus outbreak, we find ourselves locked in our houses, with not much to do. Here's a list of 19 movies you can catch up on!
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.