Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

7 minutes from now in Nogales, Arizona, Thomas Conrad's life will forever change when he gets caught up in a Mexican cartels poetic game of drug mule chess.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.