'Malignant': A Fun, Wacky Horror with Feminist Undertones
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.

"Bowie" Blake is a gambler in a mining camp. One day, an artist, Van Dyke Tarleton comes to town with his wife, Naomi. He sees Bowie and decides he is perfect as a model for Lucifer in his latest painting. At first he refuses to pose, but Naomi talks him into it. Tarleton sees that Bowie is attracted to his wife, and purposely insults her just to get the right evil look in his eyes. But finally Bowie, whose feelings have become too much for him, quits.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Dora is the superhero we didn't know we needed.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.