Dr. Muller, a friend to all, finds pleasure in turning the goodness in people to evil ends. He meets Marie Matin and her fiancée, Georges Roben, while viewing a new painting, "The Martyr--Truth Crucified by Evil." Marie declares that the picture was wrong--evil could never triumph over truth--and though Muller says he agrees with her, he plots to prove otherwise.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
The one-way journey went to the desert that refused to offer an answer or a transcendence.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
