I Watched Amazon's Girlboss 'Cinderella' So You Don't Have To
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.