Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
An animated short film that never gets old, especially with iconic characters from the Disney series.