Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Delinquent Season poster

The Delinquent Season (2018)

In Dublin, two couples (Jim and Danielle; Yvonne and Chris) are seemingly living in marital bliss. However, when Chris's behaviour begins to change, Yvonne seeks solace in the arms of Jim, and before long they are in the midst of an affair. When a life-changing secret is later revealed, all four are forced to re-evaluate their lives, their marriages, and their friendships - but can anything be salvaged from the wreckage?
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In Dublin, two couples (Jim and Danielle; Yvonne and Chris) are seemingly living in marital bliss. However, when Chris's behaviour begins to change, Yvonne seeks solace in the arms of Jim, and before long they are in the midst of an affair. When a life-changing secret is later revealed, all four are forced to re-evaluate their lives, their marriages, and their friendships - but can anything be salvaged from the wreckage?

Rating:NR
Genre:Drama, Romance
Directed By:Mark O'Rowe
Written By:Mark O'Rowe
In Theaters:11/9/2018
Box Office:$39,194
Runtime:103 minutes
Studio:Fís Éireann/Screen Ireland, RTÉ, Head Gear Films, Metrol Technology, Parallel Films, Cuba Pictures

Articles You May Like


Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses