The manor, which served as a guest house by the will of Mr. Adem, is referred to as uncanny in the town. Housekeeper Hasan, who lives alone in a big mansion, scares the guests with her strange manners. The greater danger that awaits guests is the visits of a ghoul from his grave to the mansion.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
