This story begins with Marcelo's funeral. His family, his fiancée Lúcia and three suspicious men are the only people accompanying the coffin. By night, at home, Rosa, Ricardo and Lúcia notice something strange: Marcelo's room has been completely ransacked. Suddenly, the phone rings. Rosa answers and hears the voice of her son who had just died. The shock is too strong for the poor lady, who dies of a syncope. To understand these sinister events, we have to go back three days...
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
