The seasoned vampire Count Darlak returns to his castle after a century-long absence. He has a wonderful appetite, and soon people start disappearing and dying. And only the count's servant, a man named Adam, remains alive and well. Although his only desire... is to become a vampire himself. Adam is a shipwreck victim. At one time, the count picked him up on the seashore, cured him and made him his “day representative.” Adam is an obedient tool in the hands of evil, but any tool can one day get out of control.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
If you want to feel the rush, you have to take the risk.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
An action film led by two queens, fighting for what they believe in through power and pain.
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
