On August 23, 1973 a bank robbery at the Kreditbank in Stockholm went badly wrong. It turned into a hostage situation which lasted six days, and gave its name to a phenomenon. Stockholm Syndrome is a way of describing the emotional bonds which some people can form with a captor or abuser. And it all started in that bank in Stockholm. During the siege, despite being held against their will in a dangerous situation, the four hostages bonded with the bank robbers and turned against the police. They continued to defend their captors after their release and refused to testify against them. In fact, they even raised money for the bank robbers’ defence. This survival mechanism came to be known as “Stockholm Syndrome.” In this film, nearly fifty years after the events, we hear directly from the hostages, bank robbers and police and find out what happened during those six eventful days.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
Inspiring and diverse animated series for the whole family.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
