‘Where have all the parents gone?’ This haunting film from southern China seems to paraphrase Pete Seeger's famous anti-war song about missing flowers. Three young teenage girls − and one silent little sister who faithfully tags along − are in a small mountain village that would be considered a paradise if it wasn’t so poor, backward and unsafe. Most parents are far away in Shenzhen, or some other industrious metropolis. Left to their own devices, to the care of some unfit teacher or ageing grandparent, they are fighting off bullying classmates, sticking together where possible. The girls have to navigate unknown dangers when they decide to borrow money to pay for the long voyage to the city.
Zoe Saldaña is a CIA operative who leads a special program that recruits women to infiltrate and dismantle international criminal enterprises, with a QRT(Quick Response Team) providing operational security that shoots people and blows things up on a weekly basis.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
A throwback to the last months of the 20th century in this comedy film.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
