A Cowgirl's Song Brings Love and Joy to All
A young girl named Hailey Mays sings a country song that is named after the film's title.
The Day Cinema Met Santa Rosa dos Dourados
A documentary that rescues the memories of those who built Santa Rosa dos Dourados, a small rural community in Brazil where cinema lives only in stories told, never seen. People who had never set foot in a movie theater now watch their own stories come to life on the big screen.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A documentary that rescues the memories of those who built Santa Rosa dos Dourados, a small rural community in Brazil where cinema lives only in stories told, never seen. People who had never set foot in a movie theater now watch their own stories come to life on the big screen.
Rating:
Genre:Documentary
Written By:Carlos Segundo
In Theaters:
Box Office:
Runtime:15 minutes
Studio:Sesc Minas, TV Integração, Cass Filmes
Articles You May Like
Nevertheless, she persisted: Dora and the Lost City of Gold
Dora is the superhero we didn't know we needed.
“Let it Snow” Review: A Decent Netflix Christmas YA Rom-Com
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.
Enola Holmes 3 Screws Up Its Main Character and Blows the Worldbuilding
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
In The Heights: The Case for Diversifying Diverse Films
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.