Growing Fangs: How "Ginger Snaps" Ties Puberty to Werewolves
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.

In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.