Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

When fourteen-year-old Myrto learns her father has fled to avoid paying his debts, she kidnaps the son of his business partner whom she blames for bankrupting her father's joiner's workshop. Memories resurface as she wanders through the aisles of the workshop, where she hides her victim between stacks of spruce, oak and ebony.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.