Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

What do you do when someone you love does terrible things? That question haunts Neshama, daughter of Rabbi Shlomo Carlebach, the legendary musician whose songs lay the spiritual foundation for Judaism worldwide. THE DARKEST LIGHT follows Neshama’s wrenching attempt to reconcile the father she adored and the serial abuser he turned out to be. Through unflinching firsthand testimony, survivors recount the harm they suffered at the hands of the spiritual leader they trusted, revealing the painful contradictions within a man revered by many and a community long steeped in silence, denial and complicity.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
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