Bearing many similarities to Albert Camus' 1946 existentialist text L'Etranger (The Outsider), The Darkest Hour is a powerful portrait of contemporary urban angst, isolation and unrequited love. Pat leads an apparently ordinary life as an attendant in a notorious public toilet where the majority of the clientele are either involved in drug deals or cottaging. The only light in his otherwise solitary life is Kim, a girl he is infatuated with, who works in a local cafe he frequents. When he is 'provoked' into committing an act of extreme violence, Pat's subsequent unorthodox reaction to his crime leads inevitably to his life changing forever.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
It's sexy, regardless of what else is going on.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
