The Dark Angel is a sensual and stylish adaptation of Uncle Silas - Sheridan le Fanu’s influential Victorian literary masterpiece. Sheltered heiress Maud Ruthyn's troubles begin when her father hires a new governess. Madame De La Rougierre (played with considerable relish by Jane Lapotaire) is a cruel, brandy-swigging schemer with an unhealthy interest in Maud's inheritance and an approach to childcare that would make Mary Poppins faint. When Maud's father dies she has no choice but to live with her wicked uncle Silas, who will inherit the family fortune if Maud should happen to die. This is not a recipe for domestic bliss and soon it seems that everyone but Maud is either bad, mad, or both.
Peter Hammond
Director
Peter O'Toole
Uncle Silas Ruthyn
Jane Lapotaire
Madame de la Rougierre
Beatie Edney
Maud Ruthyn
Barbara Shelley
Cousin Monica
Simon Shepherd
Captain Oakley
Guy Rolfe
Dr. Bryerly
Tim Woodward
Dudley Ruthyn
Norma Shebbeare
Mary Quince
Marcus Gilbert
Lord Carysbroke
Patti Love
Peg Hawkes
Conrad Phillips
Dickon Hawkes
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
This movie is based on the LEGO Disney Princess building set.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
A concert film with original recording of the most iconic event in pop culture in 2023.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.