In 'Ammonite,' an Aching and Incomplete Love Story
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.

The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.