The Final Season of ‘Superstore’ Sends off an Inclusive Gem
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.

She comes into your life and finds the details / of your past of your body / of your everyday habits / Life without this merciful presence / has no meaning anymore – and suddenly / she leaves and life has no meaning... Mourning / lasts for a while and if you survive – which you will / you start recounting again the same details. / from the past, releasing your body on another body, sharing your every day again. / You learn from this repetition ./ You learn to ignore / the certainty of your gestures. / You learn to ignore / the impressive architecture of a meaningful life.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
The one-way journey went to the desert that refused to offer an answer or a transcendence.