Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Davoud Najafi lives with his father Rahman who is the custodian of a small company and his disabled brother Ne'mat. His sister Aghdas is pregnant and her husband is away in Kuwait, so they have to bear her expenses too. Davoud loves film making and is in love with Nahid. He brings a camera and tries to steal the company while filming himself. They fired his father Rahman and he too throws Davoud out of the house.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.