Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

"The Curse" stars Amy Laughlin ("Class of '02") as Frida, a shy, single New York City woman who suffers a mysterious dog bite during a lingerie sale. Soon after, Frida begins to change with the cycle of the moon, becoming more confident, assertive, beautiful...and dangerous. When she wakes up with her sheets soaked in blood, Frida assumes that she has been suffering from a wicked case of PMS. But when the men she dates start dying horrible deaths, Frida must face the possibility she's becoming...a werewolf! There's a reason they call it THE CURSE.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
Intergenerational friendships and community can be so powerful, and this was a great example.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.