Oscar Nominated Shorts: Animation— Reviewed
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?

The two-hour film collects various live and rehearsal performances by The Cure from early 1991, including some of the band’s “MTV Unplugged” appearance and pre-release airings of a few cuts that would make Wish cuts and one very notable track that wouldn’t: “The Big Hand,” a fan favourite that would inexplicably wind up a B-side.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
There's no hiding the horrors of war in this inspiring story of survival
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.