What Netflix’s 'Daredevil' Gets Right and Wrong About Blindness
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.

Recorded October 4, 2001, at the Grand Olympic Auditorium in Los Angeles, California. A group of hard-core rockers who spun social upheaval into something fresh, brash and dynamic, The Cult emerged out of Britain's music scene in the early 1980s and quickly rose to the forefront of "Positive Punk." From Ian Astbury's first powerful note to Billy Duffy's last thundering guitar riff, The Cult knows how to rock an audience and this Los Angeles concert is no exception! Songs: Intro/Rise, In the Clouds, Lil' Devil, Peace Dog, Take the Power, My Bridges Burn, Rain, Edie (Ciao Baby), The Witch, Breathe, Fire Woman, Sweet Soul Sister, Wild Flower, She Sells Sanctuary, True Believers, War (The Process), Love Removal Machine.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
The Olivia Wilde renaissance is upon us.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).