
Kulinyi, the theatre secretary in Budapest, becomes the director of a rural theatre. He takes with him a talented, budding theatre couple, Gábor Bálint and Éva Pap. He fights a hopeless battle with drunken and jaded actors, undemanding audiences, and demands the release of their untalented relatives with creditors. Finally, tired of failure, all three return to Pest. Kulinyi resumes his post as secretary. Gábor Bálint, out of options, approaches the famous actor Ferenc Tőrös and asks him to let him play the role for one night only, so that he can prove his talent.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
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Pose tells stories of queer joy and love in a time of intense hate and sadness.