Ayane, Nanami, and Mayuko are members of a new 3-member idol group called “Jersey Girl”. One day they’re invited to appear on a television show about the paranormal where they’ll visit an abandoned nursing home in the mountains to see which one of them is the bravest and document their experiences. However, as soon as the girls arrive, they begin to have strange paranormal experiences. Before long, they begin to turn on each other as the stress of the situation overtakes them.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
