“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.

Virtual singers Kaf, Rim, Harusaruhi, Isekaijoucho, and Koko. The five witches of Kamitsubaki, who have defied fate with their "songs," will take to the stage for a talk.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Women have always been integral to science fiction, and these amazing women prove why.