Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The Courageous Coward (1919)
Sessue Hayakawa was making the transition from Asian villain to sympathetic hero in this picture. The plot is a combination of racial stereotypes that were common in the U.S. during the silent era and real-life situations experienced by Asians living Stateside. Hayakawa plays Suki Iota, a student who, while born and bred in America, wants a wife with traditional Japanese values. She appears in the form of Rei (Tsuru Aoki, Hayakawa's real-life wife), a singer who becomes known as the Japanese Nightingale.
- / 5
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Sessue Hayakawa was making the transition from Asian villain to sympathetic hero in this picture. The plot is a combination of racial stereotypes that were common in the U.S. during the silent era and real-life situations experienced by Asians living Stateside. Hayakawa plays Suki Iota, a student who, while born and bred in America, wants a wife with traditional Japanese values. She appears in the form of Rei (Tsuru Aoki, Hayakawa's real-life wife), a singer who becomes known as the Japanese Nightingale.
Rating:NR
Genre:Drama
Written By:Frances Guihan
In Theaters:3/31/1919
Box Office:
Runtime:50 minutes
Studio:Haworth Pictures Corporation
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