Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Count and the Wedding Guest poster

The Count and the Wedding Guest (1918)

Mary Conway was a nonentity in Mrs. Scott's New York genteel boarding house. She had never had a beau. Andy Donovan, a new boarder, caused her first flutter and regret for her unattractiveness. A description in a lurid novel of the grief-stricken heroine and the attention she attracted in her garb of woe gives Mary an idea and - two weeks later she appears fashionably attired in Fifth avenue mourning - and weeps forth a tale to the now sympathetic Andy of a dead fiancé, the Count Mazzini.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Mary Conway was a nonentity in Mrs. Scott's New York genteel boarding house. She had never had a beau. Andy Donovan, a new boarder, caused her first flutter and regret for her unattractiveness. A description in a lurid novel of the grief-stricken heroine and the attention she attracted in her garb of woe gives Mary an idea and - two weeks later she appears fashionably attired in Fifth avenue mourning - and weeps forth a tale to the now sympathetic Andy of a dead fiancé, the Count Mazzini.

Rating:NR
Genre:Romance
Directed By:Martin Justice
Written By:
In Theaters:6/21/1918
Box Office:

Runtime:

Studio:Vitagraph Company of America

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso