
The convict's cellmate, his time up, calls on the former's wife with a letter of introduction from the convict, and threatens to tell who her husband is unless she gives him money which she has earned by hard work as a stenographer and seamstress. The convict saves the warden's little daughter from drowning and is pardoned for his brave deed. Meanwhile his released cellmate forces the convict's wife again and again to give him money, and calling at her home one night, attempts to kiss her, but she repels him with a revolver. The pardoned convict arrives just in time to hear what passes and almost chokes his former cellmate to death.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.