"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

A collective portrait of the Latvian Red Riflemen is made up of memories told by the old men themselves. Unique and harsh are their destinies during the World War I and the revolution, at the opposite fronts of civil war, in 1930s. The victories of the Riflemen, their courage, confidence, pain and tragedy. The authors of the film have been able to save these tales from the relentless flow of time and make everyone realise the role of the Latvian Riflemen in history and nation.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Effortlessly beautiful and surprisingly tragic.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.