Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.