What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Priest Giorgi, a former Film Director, is sent to serve the small parish in the mountain village. To bring villagers closer to church he starts showing films there. After the screening of the first picture - "Some Like It Hot" - the audience imply that the local music teacher Lili looks exactly like Marilyn Monroe. After meeting Lili, Father Giorgi's balance between cleric and secular world starts to quiver - the woman is extremely sexy and the temptation is difficult to resist.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A baking competition that delivers cookies ‘n screams.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.