Chasing Waves and Courage in Bethany Hamilton: Unstoppable
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.

At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions' values are not just empty words.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
This holiday movie serves as the prequel to the TV series The Really Loud House.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.