The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

The film is about the suffering of a mother with one of her sons who asks her to sell the family home, one of the traditional old houses, to repay his debts, but she categorically refuses to bow to his request in favor of the "commandment" of her husband, who recommended before his death to keep the house.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content