The Critters Are Going 'Back to the Outback'
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.

Ukrainian existential western. Having lost his family, the old Ivan is going mad, he colors his face with paints and puts on a Gothic head-wear made of feathers, he removes icon from the frame. Ivan builds himself a coffin with his own hands and prepares for meeting with the death. It seems nobody can bring his mind back. An unexpected meeting with a vagabond black dog changes his plans. Looking into the dog's eyes, Ivan comes round, he realizes that the death has arrived and meets it with dignity. The old man washes the paint off and takes away the head-wear, he returns icons to the frames and disassembling the coffin, builds a doghouse for the dog. Ivan dies with a smile on his face.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.