Dris is an ex-con, living in the borderline between a decent and a criminal life. He has a regular and simple work and lives a simple life with his wife Lise and loves his family. However, his childhood friends from his Arab community, including his best friend Yanis, are mobsters and his brother is a small time delinquent. Yanis tries to bring Dris back to his gang, and uses his former lover Nina to seduce him, taking him to expensive places to feel the importance of big money. Dris fights against the temptation, but an event will route him back to Yanis' gang and in a fight between gangs with tragic consequences for the whole community.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.
