
A small village lies peacefully nestled in the hills beneath the Provence sun... until the arrival of an odd group of vacationers. Who are these gorgeous young women from the big city strolling on the village square under the watchful eye of a chaperone as beautiful as she is authoritarian? Scandal arises when it’s learned these dreamy creatures are none other than the employees of a Marseille brothel come to enjoy the good clean air of the country. All hell breaks loose as the villagers take a stand for or against the presence of these "ladies of pleasure". The mayor is called on to relay women of the moral rules of the region to the women. But the fact remains, they can’t be forced to leave: while they have no intention of plying their trade, no law exists to bring their country retreat to a premature end. Different mentalities are revealed, passions unbridled, love kindled... and doesn’t love always solve everything in the end?
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
How do zombie films shine new light in the post-Covid and post-Brexit era?