The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Baltimore, 1959. Danny's dad is the only man in the neighborhood who didn't fight in World War II. Danny, who's 12, gets teased and folks make nasty cracks about cowards. An old radio tower on a nearby hill is about to be torn down, and Danny decides to climb it to prove his courage. Help comes from an aging neighbor, Old Man Langer, a former construction foreman who's dying of cancer and wants Danny to help him commit suicide. Langer rigs pulleys and weights to help the lad make the climb. Meanwhile, an aggressive and angry neighbor (an army vet) regularly gets drunk and shoots off his rifle, and Danny's dad must confront him. It all comes to a head one stormy night.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.